Zak Ové, “The Invisible Man and the Masque of Blackness,” at the Los Angeles County Museum of Art. 2000 Avenue of the Stars, Century City, Los Angeles, annenbergphotospace.org. Read More 'La Dorada Ranch' is an exercise in dystopian imagination that reinterprets the island ofCalafia in 2060, through real estate development and community ofWomen's retreat. Food is the sort of topic that can be linked to bounty, to desire and to literal hunger. East Los Angeles College, 1301 Avenida Cesar Chavez, Monterey Park, vincentpriceartmuseum.org. Through Jan. 5. This event will be followed by an activity led by Orange County-based librarian David Lopez. Bendix Building, 1206 Maple Ave., #1005, downtown Los Angeles, track16.com. Shana Lutker, “An Analphabet,” at Vielmetter Los Angeles. Opens Saturday at 5 p.m. 125 N. Broadway, Santa Ana, grandcentralartcenter.com. [link] 8.16.19 LA Weekly. “13 Best Things to Do in L.A. 901 E. 3rd St., downtown Los Angeles, hauserwirth.com. The roots of greatness, strength, power, fertility, beauty and riches, all still persist in the land of California. Collages with a retro feel incorporate bits of found imagery, drawing, needlepoint and drawing. The MexiCali Biennial proudly presents The Island of California, a pop-up dinner event to be held at the Armory Center for the Arts.Inspired by the great warrior and sailor Queen Calafia and the mythical island of California, the dinner will focus on fresh, sustainable seafood, as well as plant-forward produce. Betye Saar: “Call and Response,” at the Los Angeles County Museum of Art. Robin F. Williams, “With Pleasure,” at Various Small Fires. Colson takes elements of modern life and renders them in absurd ways — a painted taxonomy of pillows, for example. A group exhibition features contemporary Chinese artists who are deeply engaged with their materials, be it wood, fabric or assembled scraps of photography. The Los Angeles artist is known for assemblages he crafts from found objects that he embeds into large-scale armatures often dipped in cotton and white glue. This exhibition consists of a suite of video works previously shown as part of an installation at the Institute of Contemporary Art, Philadelphia that serve as meditations on class, race, gender and economic status around a central axis of blackness. Through April 5. Special thanks to California State University San Bernardino, Betsy Greenberg, and to the friends and supporters of the MexiCali Biennial. In this timely exhibition, the artist explores the ways in which African Americans have lost their lives due to police violence. When will California’s stay-at-home order hit my community? “Concrete Vessel 55,” by Amir Zaki, in “Empty Vessel” at the Frank M. Doyle Arts Pavilion. Fonseca was known for his depictions of Coyote, a canine trickster who materializes in all manner of very human settings. Through December. “Gold Sickness, Calafia and U.S. A cross-border biennial lands in the L.A. area and public art pops up in locations all over the city. Nathaniel Mary Quinn, “Hollow and Cut,” at Gagosian. This exhibition gathers work from 1979 until his death in 1983, during which time Cross covered a range of liberation conflicts in Central America. Ziascope es una película de Nikki Darling y Dean Erdmann que forma parte de un proyecto más amplio y en curso que trata sobre la historia del norte de Nuevo México a través del acceso a la familia matrilineal de Darling. Los oradores invitados son Ian Philbaum, Director del Programa Laboratorio de Derecho de Innovación y Lilian Serrano, Coordinadora de la Alianza Comunitaria y Coordinadora de Investigación del Centro Nacional de Investigación Latina, California State San Marcos. Ceramic tiles by Elyse Pignolet wryly tackle themes connected with women — part of the artist’s solo show “You Should Calm Down” at Track 16 gallery, on view from Sept. 7, 2019 to Nov. 2, 2019. The new pieces encompass a wide variety of media, including painting, installation and artist books. Through Nov. 3. Opens Saturday and runs through Jan. 12. This includes a carefully-assembled composition in resin by Sadie Benning and a stylized canvas with a graphic edge by Math Bass, as well as works by Yunhee Min, Iva Gueorguieva, Caitlin Lonegon and Linda Besemer. 46 N. Los Robles Ave., Pasadena, pacificasiamuseum.usc.edu. None of the five designated regions in California have reached the critical under-15% ICU capacity, but all are expected to hit that mark soon. Now that collection, which includes more than 70 paintings and an extensive archive of related material, is on view at the Hilbert — the most expansive display of the collection since the 1950s. Installation views of “American Monument” by lauren woods. Saar is one of the icons of the Black Arts Movements, a Los Angeles assemblagist known for taking some of the ugliest pieces of our culture’s detritus and making out of them things that are stirring and beautiful. 115 Paseo de la Plaza, basement of the La Plaza Methodist Church, downtown Los Angeles, museumofsocialjustice.org. A still from the “Overhead Projection (Crowd),” 2018, a single-channel color animation by Tala Madani. The museum, still in its temporary space in an old furniture showroom near South Coast Plaza (do visit — this is a great space), has a whole new rack of installations by six artists working on the Pacific Rim, all of which are inspired by the environment and the natural world. In this interactive display, participants don masks that allow digital technology to render them as figures from Japanese folklore on a large screen. Its exhibitions appear on both sides of the California/Mexico border through partnerships with arts institutions to showcase both emerging and established artists working in all media. “Watching Socialism: The Television Revolution in Eastern Europe,” at the Wende Museum. Sandy Rodriguez, Gold Sickness, Calafia and U.S. Armory Center for the Arts. Through Jan. 5. Galia Linn, “note to self,” at Five Car Garage. 2020 CALAFIA: El Fin del Paraíso, MexiCali Biennial, Steppling Art Gallery (SDSU, Imperial Valley Campus), Calexico, California . Ernesto Neto, “Children of the Earth,” at Tanya Bonakdar Gallery. Julian Stanczak, “The Eighties,” at Diane Rosenstein Gallery. Produced over several years, the work on view at the museum explores the vicissitudes of power and centers on figures that occupy his so-called “Frenglish Empire,” a fusion of the French and British colonial enterprises. With support from the California Arts Council, Armory Center for the Arts will offer 40 Teaching Artist-led See Art Make […] Este evento terminará con una actividad dirigida por el bibliotecario del Condado de Orange David López. Through Nov. 9. Martin Durazo, “Monolith(ic),” and Chris Kallmyer, “Sundown Shelter,” at the Grand Central Art Center. The documentary “76 Days” is an apolitical, microbial view of the Wuhan coronavirus lockdown from inside the city’s hospitals. “Blow Up #19,” 2018, by Sadie Benning, in “The Light Touch” at Vielmetter Los Angeles. Facilitated by: Janet Martínez, Luis López Resendiz, and Odilia Romero from the FIOB (Frente Indígena de Organizaciones Binacionales), Facilitado por: Janet Martínez, Luis López Resendiz y Odilia Romero de FIOB (Frente Indígena de Organizaciones Binacionales). The beautifully illustrated book takes an ecological and historical approach to the story of Calafia, by narrating through native flora and fauna. “B.A.T. UC Irvine, 712 Arts Plaza, Irvine, beallcenter.uci.edu. Through Oct. 19. The artist’s adult-sized gingerbread house in one of the galleries will likely generate all manner of chatter, but the poignant works of video, assemblage and drawing will be worth marinading in too. y Baja California, MX. With the pandemic worsening and winter break nearly here, many families are rethinking their holiday travel plans. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org. Mely Barragán, Cyclical Warriors (2018); Laser cut on painted plywood, rotating motor; Courtesy the artist. Decolonization Workshop / / Taller DescolonizaciónSaturday, October 12, 2019 / / Sábado, 12 de octubre de 2019 2 pm to 4 pm / / 2 pm a 4 pmThis workshop invites participants to imagine the impacts of colonization and examine how colonialism works to break and divide indigenous communities. This survey exhibition examines the four-decade career of Bradley (Chippewa), who is known for producing vibrant, figurative paintings inspired by the Native experience — while also wryly poking at stereotypes and Hollywood tropes. Diane Williams is a Filipinx-American, immigrant, artist and organizer based in Los Angeles, CA. “Lari Pittman: Declaration of Independence,” at the Hammer Museum. “Bauhaus Beginnings,” at the Getty Research Institute. (Ruby Osorio / Kleefeld Contemporary Art Museum). 399 N. Garey Ave., Pomona, amoca.org. Here, California doesn’t end or begin at a border wall. Takadiwa, who is from Zimbabwe, explores craft and contemporary culture in his first solo exhibition in the United States (taking place in Nicodim’s new downtown location). This event is supported by Caltech as part of the Visual Culture Program. Here, California doesn’t end or begin at a border wall. A group exhibition gathers works by 37 women artists who, over a span of 30 years, made prints at Francisco X. Siqueiros’ print-making studio, El Nopal Press in downtown Los Angeles. The piece nods to histories of racial objectification and key works related to those issues — including Ben Jonson’s 1605 play, “The Masque of Blaqueness,” and Ralph Ellison’s 1952 novel, “Invisible Man.” Through Nov. 3. 812 N. Highland Ave., Hollywood, vsf.la. Meyers, who is based in Berlin, is turning the museum into a stage in which an ensemble performs a repertoire of musical works composed by the artist and others. The latest iteration of this roving, cross-border biennial is landing in Pasadena and the theme on this go-around are the literary origins of our state: Calafia, the black queen and her Amazon warriors who figure in Garci Rodríguez de Montalvo’s 16th century novel “Las Sergas de Esplandian,” the figure from which California gets its name. You’ll also be showcasing the MexiCali Biennial’s “Calafia Manifesting the Terrestrial Paradise” upcoming border interventions and exhibitions in collaboration with the Armory Center for the Arts. LACE, the historic Los Angeles art spot that gave key shows to Mike Kelley and groups such as Survival Research Laboratories in the ’80s, is turning 40 — and to mark the occasion, the organization has been poking around its metaphorical attic (aka its archive) to see what it might turn up. First held in Mexicali, Mexico; this year Gomez and Hernandez were joined by curator Daniela Lieja Quintanar and the series of exhibitions opened at LACE on Hollywood Blvd. In the 1960s, before she was known as the artist of high-profile feminist works such as “The Dinner Party,” Chicago was producing painting and sculpture in a much more minimal vein. Through Feb. 23. Through Nov. 14. This exhibition marks that momentous occasion by looking at the era in which the museum was established, the roiling years after World War I. El libro hermosamente ilustrado adopta un enfoque ecológico e histórico sobre la historia de Calafia, narrado a través de la flora y fauna nativa. These interactive spaces — which participants can often fully inhabit — are inspired by craft and the natural world. Through Dec. 1. The show, which features more than 200 objects, many drawn from LACMA’s collection, examines the use of animals as zodiac symbols, in folklore and the natural world. 1150 Oxford Rd., San Marino, huntington.org. Pignolet takes quotidian aspects of women’s lives — cosmetics, tampons, the crude catcalls that men toss at women on the street — and renders them in Mediterranean-style ceramics, including tiles and vases. The Armory is pleased to present the fourth iteration of the MexiCali Biennial, CALAFIA: Manifesting the Terrestrial Paradise—a series of exhibitions and related programs taking place throughout the California region, north and south of the US/Mexico border, that explore the 16th century myth of the indigenous Black Queen Calafia and her island home. Ari Benjamin Meyers, “Kunsthalle for Music,” at the Museum of Contemporary Art Santa Barbara. More than a year ago. Through Jan. 27. “Like a lot of people during the pandemic, I fell off” the wagon, pop star Miley Cyrus told Rolling Stone of her recent relapse. Through Oct. 19. “Salt & Silver: Early Photography, 1840-1860,” at the Santa Barbara Museum of Art. Featured in the show are artists such as Sandy Rodriguez, Mely Barragán, Chelle Barbour, Noé Olivas, Chinwe Okona, Cog*nate Collective, Invasorix and many others. Review: ’76 Days’ takes an emotional look inside Wuhan hospitals during the COVID-19 lockdown. The Armory Center for the Arts hosts the fourth iteration of the MexiCali Biennial, CALAFIA: Manifesting the Terrestrial Paradise, a series of exhibitions and related programs taking place throughout the California region north and south of the US/Mexico border that explore the myth of the indigenous Black Queen Calafia and her island "California." California’s stay-at-home order allows essential travel only. OCMAEXPAND: Six new artist installations at the Orange County Museum of Art. The L.A. conceptual artist is known for using numbered grid systems to generate patterns and images — most famously, of trees. But reality was more complicated. Employing only graphite pencil and Bristol paper, Beltz produces elaborate patterned drawings that also dwell on the cosmic. 1419 E. Adams Blvd, Central-Alameda, Los Angeles, mixografia.com. Julie Green, “Flown Blue,” at the American Museum of Ceramic Art. “The Archival Impulse: 40 Years at LACE,” at Los Angeles Contemporary Exhibitions. Photojournalist Richard Cross was only 33 years old when his car struck a landmine in Honduras and both he and a fellow journalist — Dial Torgerson, then Mexico bureau chief of the Los Angeles Times — were instantly killed. It might be easy to think that television programming screened in the former Soviet bloc would have been an endless stream of propaganda. Invited speakers are Ian Philbaum, Program Director of Innovation Law Lab and Lilian Serrano, Coordinator of Alianza Communitaria and Research Coordinator for the National Latino Research Center, California State San Marcos. As in other iterations of the biennial, there will be more to the show than the exhibition at the Armory Center, with satellite programming in Calexico, Mexicali and Tijuana. The museum acquired the estate of the Sacramento-born painter and is now presenting works from his archive. Miley Cyrus didn’t want to join the 27 Club: ‘I have been focusing on sobriety’. In a large new solo exhibition, the Baltimore-based artist explores environmental calamity in the form of elegiac, black-and-white paintings. 1700 S. Santa Fe Ave., downtown Los Angeles, vielmetter.com. This new series is all about the lunar. 2276 E. 16th St., downtown Los Angeles, nightgallery.ca. Here’s the latest on changes and refunds. Stanczak was a pioneer of Op -Art (a reference to optical illusions), creating paintings that employ pattern and gradations of color to create subtle plays on light. Through March 1. Through Sunday. The title of the exhibition refers to, among other things, the title of a 1947 book of drawings by Man Ray, a book that explored the nature of symbols and letters. Through Oct. 27. This exhibition gathers work produced by the artist during an eight-year period in the 1980s. This show consists of a suite of 13 lithographs printed at the Tamarind Lithography Workshop in 1970. The show also features paper and 3-D printed masks inspired by these legends. 1062 N. Orange Grove Ave., West Hollywood, matthewmarks.com. She describes the show as “an ode to joy, fear, magic, doubt, self-esteem, darkness and discovery.” Also on view is a two-artist show of painting and sculpture by Raychael Stine and David McDonald. Director and co-curator of the MexiCali Biennial Ed Gomez will also give insight into the concept of Calafia. ... Manifesting the Terrestrial Paradise continues at Armory Center for the Arts … Armory Center for the Arts. Immeke Mitscherlich-Schwollmann, “Weaving Sample for a Wall Hanging,” ca. (Richard Cross / Tom & Ethel Bradley Center, CSUN). How ‘Godmothered’ celebrates a world of more inclusive happily ever afters, “Godmothered” director, co-writers and stars on how the Disney+ film subverts fairy tale tropes to offer a more inclusive definition of “happily ever after.”, The USPS helps Christmas dreams come true every year. Through Jan. 5. 831 N. Highland Ave., Hollywood, dianerosenstein.com. Gabriela Ruiz, “Full of Tears,” at the Vincent Price Art Museum. The gallery has two solo shows on view. Also on view are paintings by Rapone, who is based in Chicago, and creates portraits that channel the emotions that result from overexposure: humiliation, vulnerability and self-doubt. Cal State Long Beach, 1250 Bellflower Blvd., Long Beach, csulb.edu. This new phase in the pandemic means new rules for hotels and other travel providers. And I am very drawn to the complicated … The late artist was born in Indianapolis but settled in Los Angeles in the ‘60s, near the port of San Pedro. In interviews with The Times, 12 people accused Magic Castle management, performers and others of abuses, as the legendary Hollywood club dedicated to the craft of magical performance wrestles with allegations and membership unrest. Pandemic worsening and winter break nearly here, California doesn’t end or begin at border. 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